Nathaniel Hawthorne in "The Scarlet Letter" uses nature being a symbol for human emotion as he explains a riverbank where two fans conceive a young child: "[The water] stored up a babble, type, calm, soothing but melancholy, like... Hawthorne's elaborate figurative fashion invests the setting with humankind, as though the lake itself were childlike. Figurative language often characterizes a writeris writing style. Ray Bradbury, in works for example "Fahrenheit 451," reveals his love of metaphor and simile throughout as he describes functions as straightforward as people smoking: "Pressing their sunlight-fired hair and analyzing their high claws as though they had caught fire." It felt like a plumber's handkerchief." William Shakespeareis and Emily Dickinsonis stylistic variations emphasize their variety's common styles of lost love and common disillusionment. Not surprisingly, their despair is discussed as Dickinson cries to her lost lover, "you, who were Lifetime, yourself neglected to call home," while Shakespeare's a reaction to his desertion is disregard: "all men are terrible as well as in their badness rule." Cornell University lecturer William Strunk exhibited that whenever you create, you accomplish a mode. T. Their larger philosophy shows creators to "abandon useless phrases," but he continues on to exclusively label "undoubtedly," "like" and "smart" as overused.
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